BRAND IDENTITY · OSG
Three Brand Launches
OSG Connect (2020), EverView (2022) and OSG (2024), each taken from wireframes to a finished website with consistent branding at every touchpoint.
- Visual identity
- Design systems
- Templates
Hi, I’m a
Currently designing at Panasonic North America.
FEATURED · ICON DESIGN SOFTWARE
A vector editor made only for Google Material icons: Figma-style panels, Illustrator shortcuts, live booleans, badge variants and type-design tools, exporting Google's single-path format on PC and phone.
CASE STUDY · LOGO DESIGN
From a placeholder to a square and circle mid-edit: fifteen live versions in twenty minutes, small-size fixes, and the warm end of my signature gradient.
CASE STUDY · PERSONAL PROJECT
A phone-first app my family uses to log a child's asthma meds, see when the next dose is OK, and share one live log between caregivers.
CASE STUDY · PERSONAL PRODUCT
A private weekly schedule for three kids, two schools and every club, lesson and pickup in between. Designed for a phone, built with Claude, shipped in a day.

CASE STUDY · PERSONAL TOOL
All 17 Anycubic 3D printing resins in one sortable table, with every published spec and current price, built to decide which one to buy.
CASE STUDY · PERSONAL TOOL
A right-click Chrome extension that fills job applications from one profile, outlines what it can't answer, and remembers each hiring platform's odd questions.
CASE STUDY · STUDIO SYSTEM
My invoices, quotes, resume and letters rebuilt as one brand system: data in, consistent PDFs out, with each document type turned into a reusable AI skill.

ICON DESIGN · OSG
Pixel-precise fintech icon sets in Figma that gave OSG one visual language across web, print, email and trade show.
BRAND IDENTITY · OSG
OSG Connect (2020), EverView (2022) and OSG (2024), each taken from wireframes to a finished website with consistent branding at every touchpoint.
PRODUCT DESIGN · LUMA WORKS
End-to-end product design for a painters' app: design system, wireframes, prototypes and user flows, built hand in hand with the developers.
FINTECH UX · OSG
Statement UI/UX for financial services firms and credit unions, with prototyped journeys for accounts, loans, payments and support.
WEB DESIGN · ZERO COPY LABS
Website UI/UX and visual branding that guided the build and set UX standards for the agency's web presence.
WEB & INTRANETS
OSG's website and WordPress intranet, designed and coded from wireframes, plus a SharePoint intranet with Power Automate workflows I still maintain for Matrix Imaging Solutions.
LAUNCH CAMPAIGNS
Launch, GTM and brand creative across digital, social, print and trade show, on a two-person team.
Tap or hover a role for details
Visual DesignerCurrent
Panasonic North America · Remote
Launch, GTM and brand creative, plus an AI image pipeline that replaces traditional product shoots.
Founder & Principal DesignerCurrent
Raysan Designs LLC · Freelance studio
Product design, fintech UX and intranets for clients across the US, Mexico and the Philippines.
Senior Creative Designer
OSG · Ridgefield Park, NJ / Remote
Fintech icon sets, three brand launches, and the company website and intranet.
Senior Web Designer, Design Lead
PNY Technologies · Parsippany, NJ
Web, email and digital campaigns for consumer and B2B product lines, with NVIDIA as a key partner.
Graphic Designer
All Things Media · Ramsey, NJ
Email, collateral and mobile app UI for clients including Daimler and Disney.
I'm Ray Santos, a visual designer with 15+ years in iconography, brand identity and UX/UI, trained in communication design at Pratt.
I design pixel-precise icon systems, build visual languages that scale from product to print, and turn complex flows into clear interfaces. I've always automated the repetitive parts of design, and AI has been a game changer: more directions explored, faster iteration, polished work in a fraction of the time.
I've worn nearly every hat: icon systems and brand identities, product UI and design systems, websites and intranets I've coded myself, and campaigns across email, social, print and trade show. I've done it on every kind of team, from two-person crews to global cross-functional groups, remote and on-site, so work moves from concept to production without getting lost in handoff.
Away from the screen I cook, draw with my kids, and design and build furniture.
Available for work